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Printed Manuscript Preparation Introduction [Do it yourself]
You have worked long and hard in this labor of love that you are preparing to share with family, friends and fellow researchers. The needs and requirements of the genealogist and historian are sometimes quite different than many other authors. We fully understand these needs and the desired results. Manuscript preparation is very important, no matter what type of publishing process is used:
After all, a manuscript is the master from which the book is printed. While very few authors have a full set of professional skills and tools, there are several things one can learn and use that may be helpful. A good rule of thumb to keep in mind during the preparation process of a hard copy manuscript is "what you see, is what you get". For the best results use a smooth white paper. Expensive "top of the line" computer paper is not necessary, a good "typing" copy machine or all purpose paper is fine. Avoid colored (cream, gray, etc.), aged colored and textured (pebbled, linen finish, etc.) as well as ultra thin (onionskin, etc.) papers. Make sure that the print is clear, consistent and as dark as possible throughout. In the end, you will be much happier if the typewriter or (non-Laser or DeskJet) printer used contains a carbon film ribbon, is in good mechanical working order and has clean unbroken strikers. More and more people are acquiring Laser or Bubble Jet/DeskJet printers and these make a very nice camera ready manuscript. In good faith, we can not recommend manual typewriters, fabric ribbons, dot matrix printers or low quality DeskJet/Bubble Jet printers for a good finished product. Electric typewriters, daisy wheel or ball printers and laser or Bubble Jet/DeskJet printers (on high quality settings) can be borrowed or rented in most areas.
While preparing the manuscript, store at least one hardcopy of the finished/printed pages in your manuscript box away from possible "accidents". Some of the "accidents" our customers have had to contend with include virus infested hard drives, spilled coffee, typewriter ribbon smudges, little Johnnie's chocolate candy bar, cigarette burns, lost pages and the like - to half the finished manuscript being eaten by Fido. We hate to see anyone face these unnecessary problems - so, keep it clean and safe! Yes, take these precautions even if it is just a "computer print out" because no one knows when the computer might decide to take a holiday, or a disk may be erased, lost, etc.
Occasionally, when planning a book (coloring books are a prime example), one may need to consider whether to incorporate bleeds into the interior text block of the project. If economy is a factor, the answer to the question is to achieve your ascetic goal some other way. Work with your publisher on this factor is bleeds are really a high priority. Sometimes impression area can be stretched to the point that by the time the binding trim has been taken the book looks like it was planned with bleeds - but economically, the underwriter avoided a costly option. Photographs and Composition The author, will be the person with the final say as to what goes into the printed book. While many families would love to see every photo available in print, this is rarely economical. Because of this, the author may have some major decisions on what "makes the cut". Final decisions should include not only the quality and subject of the photograph, which may effect the tone of the picture page, but also who is in the photo. Economically, printed photographs will be black and white. Since not everyone has an eye for what color photos will look like in black and white, the author may get an idea by converting it. They can either digitize it and change the color file to grayscale, or place the photo on a b/w copy machine. A color picnic picture in a sun dappled glade may seem perfect in composition, tone, and quality, but may not be a very good black and white.
For the author that would also love to see every photo available in print - a book with accompanying CD may be the answer. Select the "cream of the crop" to be printed into the actual book. The CD - which can be attached to the book via envelope or center spindle - can contain a wealth of digital information. Photos galore and/or original document scans, GEDCOM files, author notes on theories, etc. For more suggestions
on this subject and more, order our book:
Does your finished manuscript need a bit of extra "oomph"? If you have space within the impression area, we offer clip art objects (printer's ornaments: woodcuts, dingbats; dividers; borders; etc.) throughout your manuscript - just $4.00 each on a camera ready manuscript or $1.00 each on camera ready disk.
*To make it easy on the author or paid manuscript preparation individual, we suggest preparing the manuscript with the uniform margins of 1". The way we publish books from hard copy manuscript, the person making plates (offset), or the digital machine (print on demand) will move the 6½x9" text block (1"margins) to generally produce a book with a 1¼" binding/inside margin and a ¾" trim/outside margin. If the book is of a small page count, this may be adjusted for a smaller binding margin to center the printed page for more eye-appeal. If the book has a very large page count, a larger binding margin is allowed to reduce spine wear. It has been found that setting computer "margins" at 1" does not always give a printed page with 1" margins. Margin settings can be tricky and hard to learn, so, below are specific program suggestions:
If you have directions for setting margins in a
computer program and would like to send them on, > Home Page > Book Preparation Tips > Author Manuscript Preparation This Page Last Updated: May 05, 2008 |
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